Antonietta Orsatti: “This is my story, it wasn’t all roses”
LETTERA_E Rome (Italy)
Curated by Paolo Cortese
On Saturday 12 October Antonietta Orsatti’s solo exhibition ‘This is my story, it wasn’t all roses’, curated by Paolo Cortese and presented by Alfredo Accatino, will be inaugurated at the independent space Lettera_E in Rome – in collaboration with Gramma_Epsilon Gallery.
In light of the upcoming exhibition, we introduce you to this ‘outsider’ female artist with a strong and rich production since the 1960s. She began her artistic journey at an early age and studied ceramics at the Art Institute in Chieti where she was taught by Tommaso Cascella. She continued her studies at the Academy of Fine Arts in Rome, and She graduated in sculpture in 1967. In the same year, she married and returned permanently to Abruzzo, where she taught drawing and art history in high schools. Since the 1970s, she has carried out her artistic research in solitude, thus almost withdrawing from exhibitions.
This will be the Abruzzese artist’s first solo exhibition in Rome. More than 30 works will be on display, including two-dimensional works, sketchbooks, terracotta sculptures, cardboards and chalked fabrics.
Curated by Simona Campus and Paolo Cortese
The exhibition CARNET DE MON VOYAGE traces Francesca Cataldi’s artistic journey, presenting a reading and re-interpretation of her work, as an unfolding narrative consisting of many tales. An ‘unconventional’ library of heterodox, hybrid books, born out of the collision and mutual acceptance and appreciation of different elements, and of the many materials that the artist chooses to experiment with, unfolds and organises itself along the exhibition itinerary.
CARNET DE MON VOYAGE is the result of a collaboration between the MUACC and Gramma_Epsilon Gallery in Athens, marking another milestone in a shared commitment to research, study and appreciation of work by female artists who have contributed significantly to the innovation of contemporary Italian art history.
@MUACC
Museo universitario delle arti
e delle culture contemporanee
06.06.2024 – 13.09.2024
Via Santa Croce, 63
Cagliari (Italy)
info: muacc.info@unica.it
+39 070 675 5330
“It is a short space that suggests infinity”: with these words Jean Grenier defines the Mediterranean. With its problems and its myriad resources, the Mediterranean stands there to remind us of the challenges we face and the need for the salvation of the planet through the realization that everyone’s contribution is needed.
Precisely because of this, it would be useful to think for the Medina Biennial (Malta) the women artists who saw the Mediterranean as a metaphor for a paradigm shift, the possibility of evoking a rebirth. The fact that these are women artists is not to be overlooked, especially since the theme of the Mediterranean in the years between the 1970s and 1990s, the years when most of these women artists were very active, seemed to have marginal aesthetic potential. The themes addressed in their works are borders, plots and warps, as a metaphor for life, an allegory on the idea of travel, exchange and memory. These are artworks by Goddesses who lost and found the perenniality of the theme, of Goddesses rediscovered as evidence of a current discours.
Artists Mirella Bentivoglio, Francesca Cataldi, Chiara Diamantini, Elisabetta Gut, Gisella Meo, Maria Jole Serreli, Greta Schödl, and Franca Sonnino
Non-profit cultural organization Artefact Athens presents The Butterfly Effect, a contemporary art exhibition curated by Kostas Prapoglou, which will take place in numerous spaces of the prominent textile industry “Butterfly Threads – Mouzakis”. The conceptual framework of the curatorial practice of this exhibition involves a poetic and allegorical metaphor of the butterfly effect that lends its name to the title. Curator Kostas Prapoglou invites 41 contemporary artists to present works that will respond to this unique space (site-specific) and context, creating with their visual, multidisciplinary vocabulary, installations, video, sculptures and painting.
Gramma_Epsilon Gallery participates through a site-specific installation of two Italian women fiber artists of different generations: Franca Sonnino and Maria Jole Serreli. Through a grandiose cocoon-installation, made by Serreli, which embraces Sonnino’s textile piece, the project highlights the dialogical relation between intergenerational and collective narratives of fiber art in relation to the space and the history of the Athenian factory.
Fernando Sebastiani’s donation of precious original linen and cotton cloth made by his grandmother Elvira between 1920 and 1950 with a domestic loom, takes the form of a unique cultural encounter. Thanks to the intervention of the invited artists, these precious artifacts can continue to narrate a unique love story to the visitors within the extraordinary scenery of Gubbio.
The artists have interpreted this story, each of them according to the specificity of their language of love which, however, was only the incipit of a story yet to be written. The total freedom with which they worked the sheets allowed them to create highly original works where the memory of the past is composed in a new vision, achieved through an individual creative process.
A particular tribute is dedicated to Oscar Piattella, who recently died, and who therefore is present with a virtual intervention carried out on one of the sheets thanks to the precious of the Oscar Piattella archive.
Artists Toni Bellucci, Vito Capone, Federica Luzzi, Francesca Nicchi, Oscar Piattella, Marilena Scavizzi, Greta Schödl, Maria Jole Serreli, Franca Sonnino